In Cornelia Parkers work , I like the large scale work she produces and the ability to transform a space with a simple concept. Other works carry more significance to shadow and perception hoever in this piece specifically i like the abundance of negative space from the poppies which create a wallpaper adornment to the space and its transparency as an army tent.
Although I explored into Daphne wrights work last term to explore the abilities of 3D wallpaper, I wanted to investigate frurther why it resonates with my own practice. I think the clinical white colour on a white base allows for the viewer to spend time engaging more with the structure overall rather than small sections. I really like how it transforms the space into a new environment and almost cages the viewer in what seems to be a serene and calm cage. The purity of white also exposing conversation on the perception of nature in a man made world and how the piece to me sybollises how modified and engineered nature can become due to human inteferance.
From Hyung Jean Lee’s work, I like the minimalistic approach that she has to immersive art. The calm and serenity I feel towards this art seems to be captured by the energy and essence of Trees in sunlight whilst emmulating the dislocation of this enviromnent from its origin. The distortion through sheer material provides the viewer with a new perspective of the simplicity of nature, prompting them to slow their thoughts and admire the often overlooked beauty of nature.
Raquel Kogans use of light refractions in site specific work really intruiges me. The use of mirroring on the floor to allow refraction of light. Due to the shape of the space it feels like you are in a ships hul and the light is bouncing off water. I like how immersive and interactive this piece is and the large scale impact the work has on the space.
Aaliyah Hussein, recent MMU Alumni joined international and national artists in collaboration at the Lowry. Below specifies the notes I made on the work and my own opinions.
Rodchenko – founder of constructivism
Spatial constructions:
Most work photographed only and survive through notes.
Conceptually stretching 2D experiments into 3D , RESTRICTED BY SINGLE GEOMETRIC SHAPES
These explore the micro and macro in nature whilst structurally providing architectural signicficance and exploring overlaps between sculpture and painting.
During a brief visit to Bristol, I took the opportunity to visit RWA Gallery. I found the selection at the B to be extensive and a great showcase of intermediate and advanced artists, some of which I would take inspiration from in my own practice or which relate to my own Practice. I find texture extremely fulfilling in my work and it brought me a lot of joy to see other artists and their interpretation of texture and space on such a diverse medium. It was also incredibly eye-opening to see the way the artist sell themselves and hold themselves professionally in such a large scale showcase.